Trends from the 2025 Oscars Red Carpet we predict will make their way to bridal
Yes yes, I’m a couple weeks behind, but I am still reeling from several of my favorite films being completely snubbed. It’s a tough time of year for cinephiles. BUT — the red carpet is always on fire, and this year I spotted some trends that have already popped up in bridal fashion, and a few that I think will make their way here soon. I will admit there was a bit of a lack of star power this year, what with everyone off filming Nolan’s adaptation of ‘The Odyssey’, but we still saw some incredible looks.
Classic & Vintage-Inspired
Dior, Givenchy, and Ralph Lauren… three of the fashion world’s most timeless, clean-cut, elegant brands. There was certainly an air of vintage appreciation on the carpet, but vintage in a way that feels more timeless, more adaptable to contemporary fashion. Mikey Madison’s dress was a recreation of one of Christian Dior’s original styles, which seemed to set the tone for many other actresses who channeled classic Old Hollywood stars. Monica Barbaro’s Dior gown was a delightful blend of contemporary design and midcentury structure, which can also be said for Elle Fanning’s black-and-white lace gown with a bustier-inspired top, bold black sash, and cape. But my personal favorite was Selena Gomez, wearing Ralph Lauren - she looked like a true screen siren from the golden age of Hollywood in a dress embellished with over 1600 glass droplets and Rosemont crystals, handcrafted by 12 artisans. The dress was slinky and simple yet totally maximalist, richly hued but natural, and outstanding without screaming. While a lot was made of Mikey’s sweet, bubblegum pink sheath, for me Selena’s was a remarkable example of craftsmanship and design coming together to create something completely stunning.
At Evermore, the dresses I often see get pulled the most by brides share characteristics with these gowns: classic silhouettes, simple except for maybe one unique detail, and not of one singular time or place. So many brides come in and say, “I don’t want to look back and regret my dress, or think ‘wow that is so 2025’”. I get it! I think this wave of more safe, conservative style has been evident on the red carpet, where polish and poise translate to looks that could as easily have been worn in 1955 as 2025.
Architectural
There is nothing I love more than a bold, architectural look that looks like it’s been plucked out of a sculpture garden. Although the memes and Tweets comparing some of these looks to various household objects were hilarious throughout the night (Ariana the lamp, anyone?), I absolutely adore when designers can create something completely beautiful and feminine using such severe structure. Louis Vuitton is particularly known for this, and you can see why - both Cynthia Erivo’s velvet green gown and Ava Duvernay’s more simple silver sheath feature dramatic necklines and architectural details that somehow still read as elegant. Meanwhile, Schiaparelli - also known for daring, edgy looks - fitted Ariana with a gown that looked like an abstract tutu (complimentary).
Many of my favorite gowns have similar balance. Both Rita Vinieris and Romona Keveza offer designs that melt femininity and structure beautifully. Whether it’s a stark neckline or unique added detail, both brands are able to achieve the same balance so flawlessly executed by Cynthia, Ariana, and Ava. With an incoming wave of maximalism, I predict we’ll start to see even more abstract design in bridal fashion - more daring silhouettes, more interesting details, and bold accessories that create heightened drama. I’m SO here for it!
Cool Fabrics
From dresses that looked like they’d been poured on with a carafe to buttery leather, interesting fabrics were a theme on the red carpet that I was delighted to see. Whoopi’s futuristic Christian Siriano dress was one of my favorites, as was Felicity Jones’s sleek silver look by Armani Privé. While I’ve seen this type of fabric pop up here and there (notably in Rita Vinieris’s most recent bridal collection), this was the first time I’d seen liquid-effect fabric feature so prominently. I can’t include this category without Timothee, though - his butter-yellow suit was actually LEATHER! Can you imagine sitting in that thing all night!? That being said, with so few men taking sartorial risks on carpets these days, I loved seeing him take a big swing with both color and texture. On a more relatable note, Ryan Michelle Bathe’s gold asymmetrical drop-waist gown seems to made of a metallic brocade, giving it such a great effect on camera.
One of the trends I’ve seen take off with bridal gowns is the use of unique fabric. Especially with classic, simple dresses being so dominant, using a fabric like jacquard or painted organza can make an otherwise ‘plain’ gown stand out. At Evermore, we have gowns by Elissar Bridal and Rita Vinieris that use jacquard to turn the ordinary into the extraordinary, and Caroline Castigliano’s effortlessly elegant gowns feature patterned and painted organza that take things up a few notches. We’re hoping to see even more innovation and creative texture this coming season!
Funky Accessories
Scarves! Gloves! Funky jewelry! I was living for the added details that polished off so many looks. The ‘decorative scarf’ has been bubbling under the surface of bridal fashion for a while, but seeing Doja Cat and Da’Vine Joy Randolph rock different versions of the accessory confirmed my prediction that it will only continue to surge. At Evermore, one of my favorite accessories is a flowy satin scarf with ethereal 3D floral appliqués from Tara Lauren, which is perfect for a slinky look like Doja Cat’s. On the more ‘Old Hollywood’ side, ScarJo’s velvet gloves echoed the garment’s rising popularity among brides - although I don’t recommend a velvet version for the big day.
While jewelry could be its own category, I want to focus instead on Coralie Fargeat’s STUNNING lariat-like necklace layered over her black sequin gown. MORE IS MORE, I say! While a few stars wore their statement necklaces backwards, I love that Coralie’s is effortlessly and unapologetically layered - and of course, her tousled hair brings the look that easy French-girl vibe. I think as aesthetics start to rebel against ‘clean girl’ trends and a sense of playing it safe, we’ll see more of this maximalist approach to styling formal looks.
Delicious Drapery
For every conservative, structured gown there was at least one sexy draped look that nodded to Old Hollywood while bringing fresh energy to the carpet. Raye’s bold red Vivienne Westwood gown was one of my personal favorites (I like it better than Taylor Swift’s white version from a few months ago, if I’m being honest), pairing Westwood’s iconic structure with lush, flowing draping that moved like water. I was pleasantly surprised at Goldie Hawn’s fun D&G dress, and I will be its sole defender I think… she looked glamorous and the draping was a little art deco which I’m always here for. Meanwhile, Kelleigh Teller’s dusty blue dress by Zuhair Murad (I love when ZM shows up on a red carpet) doubled down on rich pleating, and made it more interesting with an asymmetrical drop-waist, plunging neckline, and structural details at the waist.
Elissar, Tara Lauren, and Romona Keveza are brands to look for if you’re a fan of the way draping can fit like a glove while having beautiful movement. This style has always been popular, but as we’ve seen a rise in smaller weddings post-COVID, and brides looking for something simple, sometimes a fitted dress that hugs the body with carefully draped fabric can be a great way to make sure a simple dress still feels bridal.
Drop & Basque Waists
Basque waists have been a rising trend over the last two years, but the exaggerated version seen here on Gal Gadot and Cynthia Erivo (it’s hard to see in this picture) is still on the precipice of popularity. Unlike the traditional basque waist, this exaggerated version creates a beautiful, long line that works on anybody. Adjacent to the basque waist is the drop waist, a revival from decades past that seems to be a softer, more romantic answer to the more baroque basque style. Hannah Stocking’s classic drop-waist gown (not my favorite dress, but the structure of the waistline and skirt is wonderful) is reminiscent of bridal styles we’ve seen explode recently. Personally, I prefer Kelleigh Teller’s softer version: the pleating and drapery hugs curves beautifully, and the asymmetrical cut creates a long line and lengthens more petite brides. I have a feeling we’re still in the throes of these waist trends…
My favorite basque and drop-waist styles here at Evermore range from truly Old-World inspired like Jack Sullivan, to more subdued versions from Elissar and Rivini. Coming soon, though, is a truly unique gown from Tara Lauren that features the same exaggerated version seen above, PLUS fun pick-ups on the skirt and scattered 3D flowers… we can’t wait for her to arrive! Pulling this off really all comes down to the structure and style of the dress - with the right balance, these waistlines can work on anyone and feel timeless, elegant, and dramatic.
